![]() I should have taken pictures when we profiled, but I'll add a pic or two later if I can. We’ve had many of these late 70s/ early 80s JMPs through the store and this one is truly a great one. E元4 loaded with midrange crunch and headroom for days. Honestly, I haven't even listened to it or played it so I don't know how great of a profile it is I just thought it was a cool amp so I'm posting it. 1980 Marshall 50 Watt 2x12 Combo Insane sounding and totally original 1980 Marshall JMP 50 watt 2104 master volume 2×12 combo amplifier. See 1 musician review, how 5 pros use it, and where to get a deal on Marshall JMP 50, ranked 101 in Combo Guitar. This profile is exactly as captured, with no tweaking or effects. Marshall JMP 50, Combo Guitar Amplifiers. Great shape.sounds good, works perfectlyA master volume has been adde. It has a perfect mix of Angus meets Allman. It lights up a 4x12 with blistering power. The amp sounds incredible with amazing overtones and wicked punch. He plays a P90 Les Paul Special which he didn't have handy, so we refined with a Vintage Electrics VR100W, which is similar. For your consideration is a used 1976 Marshall JMP model 1987 50 watt all tube head. Killer example of the infamous tube monster Jim Marshall created. He puts a modded TS9 in the FX loop although it was in the loop and the loop was active, the pedal was bypassed. Tubes are original period Mullard E元4s and. To demonstrate how simple it could be, there's no pre-amp or EQ between the mic and the Kemper. Straight lip front, three original transformers, Plexi glass front panel. An additional 3rd output jack has been added to the back possibly from someone in the 1970's who felt 2 cabs was just not enough. He likes it mic'd with an Audix i5 on the grill, center of the cone, bottom right speaker, off axis. 1968 Marshall JMP 50 Watt Small Box Head in Excellent Condition. He wanted a demo of how the Kemper does a profile, so he brought his amp in with his 4x12 cab (I think it's a 1960a with Greenbacks) so I could show him how it worked on an amp he's familiar with. Towards the 90s, it seems that the Marshall was gone and Rory turned to use a 4×10 Fender Bassman instead.One of my partners/co-owners here at the shop has a '76 JMP that's been modded with an FX loop. John Perry for International Musician & Recording World – February 1989 The Vox counteracts the harshness of the Marshall sound. I still use an AC30 with a treble booster, plug into the Normal channel, I also have a 100W Marshall with 4 by 12 and a 50W Marshall combo. POWER TOOLS SOUND ADVISE PURE GENIUS… by Phil Alexander ![]() I really only use the Marshall to give my sound some body because I usually hear myself through the Vox for the most part. ![]() My second amp is a 4 x 12 Marshall speaker cabinet with a converted 100-watt bass amp, on loan from Gerry McAvoy (Rory’s longstanding bass player). I currently play a 100 watt Marshall Jubilee reissue w/ a rockcrusher attenuator. The only hesitation I have is that it is 50 watts. The amp is a closet find, and is in excellent condition. I have the opportunity to pick up all original 1974 50 watt JMP 2204 next weekend. At the moment, though, I’m still using my Vox AC30 with a Vox 50-watt combo as my third amp. I was trying to get some opinions on Marshall JMPs. I started with a Vox AC30 combo, and that model is still in my set-up, but I go through different phases when it comes to the other amps I use. When it comes to amps I tend to vary things about every six months. However, the setup wasn’t necessarily consistent, and Rory did experiments with a few different amps – including a 100-watt Marshall bass head. I plug the guitar into a junction box because a splitter lead or a V chord tends to put the amps out of phase with each other so you can never be sure of the sound you’re getting. This amp was used by Rory during the early 80s, together with Rory’s Vox AC30.Īt the moment, I’m using an AC30 and a Marshall 50 watt combo together.
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